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Tintale Village Mother’s Society

Tintale Village, Nepal

This collective of powerful women led by Devi Karki utilize artistic expression to teach young girls about the perils they face from dark-hearted traffickers. Devi discovered that all too many villagers are surprisingly unaware of this tragedy in their midst. Through creative storytelling and mesmerizing song and dance, the audience is introduced to trafficker’s techniques enabling them to recognize the potential threat when introduced to their village. “There is no question this basic education saves lives,” Devi states firmly.

Human Rights Watch and Amnesty International report most occurrences happen right here in the southeastern Tarai region. Young girls and women are easily trafficked because of their low cultural status. It is estimated that 10,000 girls, between the ages of 9-16, are trafficked each year from Nepal to India. Devi and her group are deeply committed to saving children from this tragic fate through education. PFCF’s support enables them to make costumes for the performance as well as provide travel expenses to neighboring villages to help spread the word.

Photos of the Tintale Village Mother's Society

  • Welcome to Tintale Village Mother’s Society

  • The Players for Change use drama, dance and music to teach others about the perils of the trafficking of young girls. 

OTHER WAYS TO GIVE

$15

Djembe repair

Allows local craftsmen to replace the head of a djembe (hand drum)

Give this item


$5

Flute

Provides a flute for a child

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NEWS

Jun 23, 2011

PFCF Making a Difference For Young Women in Nepal

by Tintale Village Teaching Center

For many of us music has been a source of great healing and inspiration. In the most direct and literal way in the remote villages in the Udayapur District of eastern Nepal, drama, song, dance, and music are being used to save the lives of vulnerable children. Here, a small group of determined Nepali women are using music as one tool to educate young girls and their families about sex trafficking, including the ways girls are lured away, and the incredible hardships they endure in the hands of traffickers.

LIFE IN THE COMMUNITY

In the remote villages in the Udayapur District of eastern Nepal, drama, song, dance, and music are being used to save the lives of vulnerable children. Here, a small group of determined Nepali women are using music as one tool to educate young girls and their families about sex trafficking, including the ways girls are lured away, and the incredible hardships they endure in the hands of traffickers.

Devi Karki directs the Tintale Village Women’s Alliance, the group that has created these stirring performances. Our community's support of the Playing For Change Foundation has provided instruments, costumes, funds for travel, and financial assistance to Devi, enabling her to create these performances and deliver them in neighboring villages.

Information About Trafficking in the Area

Members of the Women’s group are being further educated regarding the latest trafficking techniques perpetrated in the Terai region. The kind folks at Maiti Nepal have graciously provided printed materials for the Mother’s Society. Information...

… more
  • Devi Basnet Teaches about Trafficking

    Group leader Devi Basnet is constantly updating the Mother’s Society supporters with the latest information regarding women’s issues. Besides the obvious concern regarding trafficking, Devi goes on to address numerous women’s rights issues including gender-based discrimination and sexual abuse.

École De Musique de Kirina

Kirina, Mali

Our friend Mahamadou Diabate— brother of Grammy Award-winning Kora player Toumani Diabate, and a wonderful musician in his own right – approached the Playing For Change Foundation about building a music school in his native country of Mali. Thanks to his help and guidance, PFCF broke ground on its third music school on the African continent this year: Ecole de Musique de Kirina (Music School of Kirina). The school is located in the village of Kirina, approximately 25 miles (40 km) south of Mali’s capital city, Bamako.

Kirina is a Griot village without any electricity, where the inhabitants live in humble straw roofed houses made of bricks that have dried in the sun's heat. The Griots play an essential role in Malian culture: they are the keepers of oral history and traditions, passing them on through music and poetry. The school will help the people of Kirina preserve and share their musical traditions, which have been slowly disappearing due to lack of teaching resources. Beyond the music school, we are also working to improve access to clean drinking water for the community, as well as provide solar power for the school.

The school opened its doors in October of 2010, and now offers classes in kora, djembe, balafon, and dance, as well as a workshop to teach the building and repair of traditional instruments. Many of the instruments used in the school are made by local artisans in Mali.

Photos of the school preparing to open

Photos of the school in action

  • The villagers of Kirina build their music school with support from PFCF

  • Un reportage sur le processus de création de notre dernière école de musique à Kirina

  • Esto es un reportaje sobre nuestra última escuela de música en Kirina

  • Baaba Maal performing in Kirina, Mali

  • Every week more than 300 kids attend free classes in kora, balafon, djembé, talking drum, dance, musical theory, traditional History, English and French. Kirina is a village whose musical traditions have been passed down through generations since the 13th century. The school is designed to preserve and transmit a unique cultural knowledge and create a better future for the new generations of Kirina.

  • Toumani Diabaté, Habib Koité, and Baaba Maal visit the music school of Kirina, Mali, created by the Playing For Change Foundation.

OTHER WAYS TO GIVE

$15

Djembe repair

Allows local craftsmen to replace the head of a djembe (hand drum)

Give this item


$50

Foundation cement

Provides five bags of cement to help build the foundation of a music school

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NEWS

Apr 19, 2012

Work Begins on New Classroom in Mali

by Francois Viguie

Despite a political crisis in Bamako, and a very uncertain situation in the North of the country, the Music School in Kirina is thriving and we have started new extension works this week. This extension represents a crucial step for the development of the project and we are very excited about it. The first structure that we are building is an open-air dance classroom. The classrooms of the music school were too small to welcome all our dance students in optimal conditions and this new space will allow our fantastic dance teacher, Oumou Mariko, and his students to express themselves in an adapted space. The open-air classroom will also be a multitask space that will be used for music instruction, performances, and workshops.

LIFE IN THE COMMUNITY

For more than 70 generations the Griot inhabitants of this village have been the keepers of African oral tradition. Music is in their blood, and this rich cultural heritage that dates back to the 13th century is alive and well in and the families that make their homes here.

Traditional West-African Music Education

Following the centuries-old Griot traditions, these classes focus on teaching traditional instruments such as Kora, Balafon, Tama, Djembé, and introduce an approach to musical theory. Classes are also given in dance, chant, English and French....… more

Tama

The Tama or "Talking Drum" is a traditional percussion instrument very popular all over West Africa. It is traditionally a Griot instrument and it is considered one of the oldest percussion instruments in West Africa. The particularity of this...

… more

Djembe

The djembé is maybe the most popular West African instrument. The djembé is a native percussion instrument in Kirina as its origins are traditionally located between Guinea (50 km south from Kirina) and Bamako ( 50 km north of Kirina).  In the...

… more
  • Mahamadou Diabaté

    Mahamadou is a Malian musician from a "griot" family that has played music since the 13th Century. He is a very talented, and has studied at the National Institute of Arts in Bamako. In addition to teaching classes in Kirina, he also serves as the school's creative director.

  • Seydou Dembelé

    Seydou is an English teacher and school administrator in Bamako, Mali. He began working with PFCF as a translator and project coordinator during the school's construction. He is now the head administrator of the school in Kirina where he also teaches French and English classes.

  • Oumou Mariko

    Oumou is a singer and a dancer living in Bamako, and has recently been performing and teaching African dance throughout Europe. Her natural joy and energy immediately convinced us that she had to be the chant and dance teacher for the children of Kirina.

  • Karounga Diabaté

    Karounga is the son of Keletigui Diabaté, one of the greatest balafon (traditional African xylophone) players in the country We are pleased to have him as Kirina's balafon teacher. Karounga is also an instrument crafter; he made the 10 balafon used by the students in Kirina.

Intore Culture & Music Center

Kigali, Rwanda

The Intore Culture & Music Center will give hope, housing and music training to Rwanda’s future leaders by providing support to Rwandan street orphans affected by the 1994 genocide.

A powerful collaboration between LEAF International, the Playing For Change Foundation and Ivuka Arts Kigali, a local cultural center, have made the longtime dream of establishing a culture & music center for Rwandan street orphans a reality.

The Intore Culture & Music Center will provide housing, traditional drumming and performance classes to Rwandan orphans and the community. As a result of the 1994 Genocide and the AIDS epidemic, 70% of the Rwandan population is under 30—a large portion of which is made up of orphans without housing or education.



Rwanda's rich music, drumming and dance culture is preserved through mentoring local youth. Street children— through immersion in their cultural music traditions—receive valuable skill development, empowerment, self-esteem, and community connection.

"The music has changed us. We now feel proud and have hope. Through music and performance, we are example students to the rest of our community and our country" - LEAF Intore Cultural Troupe, program participants

The Intore Culture & Music Center is currently in development. During the LEAF International team's recent trip to Rwanda, the partnership with Ivuka Arts was solidified. Ivuka has already started to prepare for the Intore Cultural Troupe’s move to the new Center upon its completion, offering to provide transition assistance and planning for future opportunities for the Troupe. Locations are currently being scouted for the Center’s permanent home, with plans to open its doors in 2011.

LEAF International Website: LEAFInternational.org

Intore Culture & Music Center Website: IntoreMusic.org
 

  • Meet the Intore boys of Kigali, Rwanda!

OTHER WAYS TO GIVE

$50

Foundation cement

Provides five bags of cement to help build the foundation of a music school

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$150

Teacher salary

Provides one month’s teacher salary

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NEWS

Apr 25, 2011

Obstacles and Rewards

by Stephen Beili

When working toward building a performance center for traditional drumming and dancing for fifteen young men who grew up on the streets in Rwanda in the years following the genocide of 1994, one can expect to run into a few obstacles.  And then, thankfully, there are the rewards…

LIFE IN THE COMMUNITY

The LEAF Intore boys are a group of Rwandan orphans who lived and slept in a battered parking lot for many years. They have raised themselves to be a band of brothers, and now share day-to-day duties in their new home. Each of the 18 boys were assigned a role amongst themselves including cook, store keeper, general of communication, and general of hygiene. The boys are also big football fans!

Under Construction, Coming Soon!

Check back soon for updates about the exciting classes taking place in this program.

… more
  • Leonard Mutwarasibo

    Leonard Mutwarasibo is a member of the prestigious National Ballet of Rwanda and is the LEAF Intore boys’ primary teacher of traditional Rwandan drumming, song and dance. Leonard has trained the boys 3 times a week for the last 4 years and is an integral role model and mentor.

Ntonga Music School

Gugulethu, South Africa

In the spring of 2009, the Playing For Change Foundation opened its first music school in Gugulethu, South Africa, a township ten miles (16 km) outside of Cape Town. Like many of the townships formed during the government-imposed Apartheid that lasted from 1948 to 1994, Gugulethu is a community in need of assistance and inspiration. South Africans are still striving to repair the damage and injustice created during Apartheid, and the Ntonga Music School is setting a strong example of how the country can come together to create a brighter future for its people. Today the people of Gugulethu are full of life and spirit, but have many obstacles to overcome. With drugs, crime, poverty, and disease prevalent in the township, the Ntonga Music School offers hope and possibility for the community and its youth.

In addition to building the school, the Playing For Change Foundation provides musical instruments, educational materials, and other necessities this center of compassion and creativity requires. The school is lead by a dedicated staff of music instructors and trained personnel who understand the unique challenges their students face. In addition to classrooms and rehearsal space, the school also serves as a community center where guest musicians from Cape Town and beyond come to perform for the students and community.

The Ntonga School is striving to empower the people of Gugulethu by creating positive opportunities for their community, as well as foster a greater connection to the rest of the world through the sharing of their music. The school is working to connect South Africans beyond the boundaries of Gugulethu; it is a source of pride and inspiration not only for the township, but also for the country.

Click here to view photos of Ntonga Music School on Flickr

 

OTHER WAYS TO GIVE

$15

Djembe repair

Allows local craftsmen to replace the head of a djembe (hand drum)

Give this item


$150

Teacher salary

Provides one month’s teacher salary

Give this item


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NEWS

Jan 31, 2011

A Better World in South Africa

by Ntonga Music School

The Playing For Change Band’s percussionist Mohammed Alidu, and the band’s tour manager Erika Duffee, paid a visit to the Ntonga Music School during their stay in Cape Town, South Africa, in December 2010.  Despite school being on hiatus for summer break, three dedicated students from the Ntonga student ensemble, Yonelisa Wambi, Prince Mafu and Enkosinati, came to Ntonga to meet Erika and Alidu.  Alidu shared his musical journey with the students. Originally from the remote village of Tamale, in Northern Ghana, he now tours the world with the Playing for Change Band, and is the program founder of a Playing For Change Music School, the Bizung School of Music and Dance in Tamale, Ghana.  His journey is a source of inspiration to Ntonga students. It is one of dedication, perseverance, and patience.  After sharing his story, Alidu invited Yonelisa to play guitar and soon joined him on his talking drum.  This musical interaction revealed the power music has to connect humanity. Kids from the surrounding community soon joined the musical moment, forming a circle around the musicians.  As Alidu and Erika reminded the students, music is a powerful tool: it has the power to communicate without words. Erika and Alidu’s visit encouraged and reminded Ntonga students that success in any career is a combination of talent and luck.

“A Better World” original song by Yonelisa Wambi, Ntonga Music School student. Featuring Mohammed Alidu of the Playing For Change Band on the talking drum.

(Thanks to Amelia Romano for documenting and taking video!)

LIFE IN THE COMMUNITY

Most residents of Guguletu work as laborers either in the Township itself or in nearby Cape Town. The youth of Guguletu wake around 7 AM, eating cereal and bread to fill their stomach. Most of them have between 3 and 5 siblings and attend local school-- some walk, others take a mini-bus. School ends by 3PM, at which point many students go straight to Ntonga to pursue their passion: music.

Under Construction, Coming Soon!

Check back soon for updates about the exciting classes taking place in this program.

… more
  • Pokie Klaas

    Pokie took up the double bass in his twenties after suffering a knee injury in soccer. Since then Pokie has played in several bands throughout Cape Town, and today he is proud to share his musical skills on the double bass and electric bass with eager students of his community.

  • Sakhiwo Noboza

    Sakhiwo has been playing the trumpet and singing for two decades. Over the course of his career he trained at the University of Cape Town and performed in many bands. Sakhiwo believes passionately in the importance of mentoring the younger generation, and music’s role in education.

  • Elijah Gxenya

    Elijah Genija has played guitar for decades. He spent his early years as a self-taught musician, not beginning formal guitar training until his mid thirties. He went on to study music at the University of Cape Town and currently performs with a number of ensembles in the city.

  • Dave Robain

    Dave Robain has been teaching and performing for the past two decades in Cape Town and abroad as a vocalist and multi-instrumentalist. As a performer around Cape Town and teacher at Ntonga Music School, Dave inspires youth with his humor, passion, and talent in music.

  • Sticks Mrwebi

    Stix is a resident of Guguletu Township and offers musical instruction in percussion. He was raised in a musical family, and began training at a young age. In addition to teaching, he performs in Cape Town and beyond, continuing to refine his sound and style.

Udayapur Music Program

Udayapur, Nepal

In the summer of 2007, William Aura traveled to the remote village of Tintale in Nepal's eastern valley. He was the first western man to see how the villagers there lived from day to day. At that time the place had no electricity, no telephones, and no modern sanitation. The people of Tintale had lived and worked in almost complete isolation from the outside world for centuries. PFCF was honored to be able to make a contribution to the community, and initiated a music program in nearby Katari Bazar, Udayapur, Nepal.


Local schoolteacher and music notation instructor Dhruba Kumar Ghimire patiently teaches disadvantaged village children how to play the harmonium. Our efforts provide classroom space and brand-new music instruments for the students as well as humanitarian aid in Tintale village including medicine, school supplies, and gifts for the children. A number of dedicated students trek two hours each way to Katari to receive music education. Local PFCF supporters Ishor Bajracharya, Shyam Basnet and Sujan Karki administer this vital music program.

Photos from the Udayapur Music Program

  • Meet the students and teachers of Tintale Village, Nepal

  • PFCF Volunteers Rashmi Adhikari and Shyam Basnet interview harmonium player and music teacher Dhruba Kumar Ghimire in Tintale Village, Nepal. Village flute teacher Jeevan Magar joins in as the conversation runs deep from how a body responds to playing music to the importance of the teacher’s attitude.

  • See how the Udayapur Music Program got its start in Tintale Village

OTHER WAYS TO GIVE

$25

Madal drum

Provides a madal drum, benefiting a child and local craftsman

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$1000

Fund full programs

Funds three Nepali music programs for one month

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NEWS

Dec 02, 2011

Sarju Walks to School

by Whitney Kroenke

If a day came when you weren’t able to listen, learn or play, how much would you sacrifice to have music in your life?

For Sarju, a young boy in Nepal, a two-hour walk to music class across the rural mountains is a happy journey he makes each week. He is among 20 children who participate in classes through a program funded by gifts to the Playing For Change Foundation.

LIFE IN THE COMMUNITY

For countless generations this remote part of the Terai region has never had power and now all that has changed forever. The power lines placed nearly three years ago were finally switched on. They are now providing intermittent power to a portion of the village. There is only about six hours of electricity a day and you are never quite sure when it will be available. The folks here just go with the flow.

PFCF Music Administrator Shyam Basnet sets the record straight that all too many villagers simply cannot yet afford this modern miracle. For the chronic poor this extra monthly expenditure still remains out of their grasp financially. Yet nearly every village home that has powered up, immediately purchased a rice cooker. This saves the women many laborious hours in preparing the daily sustenance for their large families. One would think that a television, fan or refrigerator would come home first but without a doubt the rice cooker is on the top of every villager’s wish list.

Madal Drum

His students learn basic rhythms and traditional technique. He illustrates that by holding the Madal drum horizontally, both of its heads can be played. This typical Nepalese instrument is considered to be the backbone of Nepalese folk music.

… more

Nepali Flute

His students learn basic notation and traditional Nepali flute, also know as the Bansuri. It is generally believed that the Bansuri not only has a spell binding and enthralling effect on the people who hear it, but also on the animals native to...

… more

Harmonium

They are learning basic fingerings and how to match the notes that she sings. Only one hand is needed to play individual keys on the instrument, leaving the other free to pump air. The children of Tintale love this class!

… more
  • Devi Karki

    Devi is the inspirational leader of the Tintale Village Women’s Alliance. Her vision to educating at-risk Nepali women about the perils of trafficking is making real change.

  • Dhruba Kumar Ghimire

    Dhruba is a beloved middle school teacher in Katari Nepal. He plays harmonium at local Hindu ceremonies and has become an excellent music teacher.

  • Jeevan Magar

    Jeevan is a farmer in remote Tintale Village Nepal. He has been performing the Bansuri flute and Madal drum since childhood and loves to teach the village kids.

Mitrata Nepal Music Program

Kathmandu, Nepal

Mitrata means friendship in Nepali. It’s a word that epitomizes the meaning of love, care and support. Their mission is to serve and uplift the less privileged. It has always been Nanda Kulu's dream to establish a home for underprivileged children, and happily with the help of Dr. Schutz in the USA, this dream became a reality.

Started in 2000 by Nanda this very special orphanage now provides shelter, medical care and educational opportunities for over 100 children. This is accomplished by fundraising activities, linking children in Nepal with sponsors overseas, and operationally supporting a group home. Nanda and her fine crew are dedicated to supporting these children into adulthood, assisting them in becoming healthy, economically independent, educated Nepali citizens who have the opportunity to pursue happiness in life.

Most children residing at Mitrata were either abandoned or rescued from troubled homes. The plight of children in Nepal is desperate. Many are without food, on the streets and unable to attend school because they are too poor. Due to the devastating effects of the recent political conflict and civil war, there are more children without parents to care for them. Fifty percent of the children are malnourished and only a quarter of them live with adequate sanitation. There are 2.6 million child laborers in Nepal.

The Mitrata children are some of the most well behaved kids you will ever meet. On our first visit we were absolutely charmed by each and every one. Sarangi master Kiran Nepali, of the popular Nepali music group Kutumba, teaches a music program at Mitrata. The first thing that stood out was just how much the kids love to learn music. Rarely have we seen such desire to play an instrument. Kiran expressed how the need was great for new instruments for the aspiring students. So with the help of PFCF, flutes, harmoniums, drums and Sarangis have now been procured and happily received.

There are four dynamic music classes taught every Saturday morning. The children are very fortunate as the teaching staff is first rate. Kiran Nepali teaches Sarangi, Roop Chettri teaches harmonium and singing, Raman Maharjan teaches flute and brother Rameshowr Maharjan teaches the traditional Madal drum. It’s deeply inspiring to watch these dedicated musicians work with theses precious kids. We are grateful to have partnered with Nanda and her fine organization.

You can truly make a difference! Donate today, or find out more at mitrata.org

  • The Mitrata students perform together for the first time, and are joined by a very special guest-- Japanese dancer, Minako Abe!

OTHER WAYS TO GIVE

$5

Nepali Flute

Provides a flute for a child in Nepal


$25

Madal drum

Provides a madal drum, benefiting a child and local craftsman

Give this item


See all

NEWS

Jul 24, 2011

The Facebook Revolution is Here PART 3

by William Aura

Our gear is packed and heading outside the courtyard we see there is not a taxi in sight. Shyam thankfully has a bike so I can hop on the back of his Indian hog and haul the equipment. Sujan and Ishor will have to walk and seemed to be ok about that. They didn’t complain in front of me at least. Later we all gather again at the guesthouse for some food and relaxed conversation. That’s when Shyam’s face turns white as he receives a text from a friend who is in the Nepalese Army. He immediately writes Shyam that they have been put on high alert and tells him to be very careful today. The country may be heading towards a declared state of emergency. There is even talk of sending all foreigners home. Frankly this is just too much for me to accept at the time. We have purchased all this gear for Devi group and construction of our school desks for the village is underway. There is a lot riding on our efforts and we will not be dissuaded easily.

LIFE IN THE COMMUNITY

The recently observed Dashain festival is the most important festival of the Nepalese. All the kids at Mitrata are in an enthusiastic holiday mood at the time of the festival. Dashain is the longest and the most auspicious festival in the Nepalese annual calendar, celebrated by Nepalese of all caste and creed throughout the country. The market is filled with shoppers seeking new clothing, gifts, and enormous supplies of temple offering for the gods, as well as foodstuffs for the family feasting.

Fifteen festive days of celebration ended on the day of the full moon. Thorough out the kingdom of Nepal the goddess Durga in all her manifestations are worshiped with innumerable Pujas and abundant offerings. After receiving her blessing, people are ready to work and acquire virtue, power and wealth. Dashain is not only Nepal’s longest festival but also the most anticipated one among all festivals.

Sarangi

The Sarangi is a folk Nepalese string instrument. Unlike Classical Indian Sarangi, it has four strings and all of them are played. Although originally used for voice accompaniments, the Sarangi gained a reputation as a wonderful solo instrument....

… more

Bansuri

The Bansuri is an ancient musical instrument associated with cowherds and the pastoral tradition. The word Bansuri is actually the conjunction of two words – ‘Baans’ means bamboo and ‘Sur’ means musical note. It is one of the oldest musical...

… more
  • Kirin Nepali

    Kirin plays sarangi for the renowned group Kutumba. He teaches disadvantaged kids at Mitrata Nepal - Home for abandoned or rescued children.

  • Rameshowr Maharjan

    Rameshowr comes from a musical family. His teaching style is infectiously fun. He teaches disadvantaged kids at Mitrata Nepal - Home for abandoned or rescued children.

  • Roop Kamal Chettri

    Roop has dedicated her life to teaching children the harmonium and singing. She teaches disadvantaged kids at Mitrata Nepal - Home for abandoned or rescued children.

  • Raman Maharjan

    Raman lives and breathes the Bansuri flute. He enthusiastically teaches disadvantaged kids at Mitrata Nepal - Home for abandoned or rescued children.

Hari Kul Music School

Patan, Lalitpur District, Nepal

The Newar are considered to be the indigenous people of the Kathmandu valley. They are renowned for their rich musical tradition. This highly developed culture has a long history of social progress through art and music. Newar inhabitation of the Kathmandu valley is so ancient that it extends beyond recorded history into the realm of legend. People of all walks of life cherish their music.

As a child, Newari musician Hari Kul was taught to make madal drums by his famous drum-making father. Madals are a rhythm-keeping drum for folk songs in Nepal as well as northern India. They are made of wood and both heads are played, holding the madal drum horizontally. The drum averages two feet in length and six inches in diameter. The skin is similar to the skin of tablas. Black dots made of iron filings, flour and egg are burned on the skins in the center, giving the skin weight that causes the tone to reverberate like a low pitched bell.

Today Hari literally invents some of the most unique percussion instruments, wind instruments and string instruments you have ever heard. When children ask for music lessons and if they do not have money he will not turn them away. Hari is the living embodiment of music and its potential for healing.

For years Hari has taken on numerous disadvantaged children who have no means of support, and freely teaches them music. He and his wife, son and daughter operate a humble music shop in the picturesque Lalitpur district. He personally makes and provides most of the music instruments utilized in our Nepali music programs. What strikes us most about Hari is his insatiable desire to educate the disadvantaged. Three orphaned boys have had the good fortune of being invited to stay in his home and work in his shop for their keep. Hari passionately teaches them music notation in the morning before they leave for school each day.

This remarkable musical family will often sit on the rooftop taking in the Himalayan skyline while discussing music, healing and life. Local musicians casually stop by for tea and delightful conversation. Music is the motivator for all. The view is indeed breathtaking. Prayer flags rustle in the wind overlooking Durbar Patan Square. Children are laughing. Families gather for supper. There is a sense the day is done and it’s time for community and family. We are fortunate to have partnered with such a generous spirit.

  • Meet the students and teachers of the Hari Kul school in Lalitpur, Nepal

OTHER WAYS TO GIVE

$25

Madal drum

Provides a madal drum, benefiting a child and local craftsman

Give this item


$50

Foundation cement

Provides five bags of cement to help build the foundation of a music school

Give this item


See all

NEWS

Jul 31, 2011

Spirit in the Room PART 3

by William Aura

Hari is exited to show us the progress on the new music rooms recently rented by the foundation. This will most certainly allow him the ability to expand his student base. With a great sense of pride he takes us upstairs to show us his new working space. Hari is profoundly grateful for this opportunity. He has previously been quite limited with what he can do in the cramped quarters that primarily serves as a drum-making studio and music shop. There are times where I can hardly find a place to stand. Expanding his space is opening his mind in a new and dramatic way. I can see the twinkle in his eye as he again expresses a deep gratitude to PFCF for this marvelous gift. We also make arrangements to order ten new instruments for his students. The melodica, also known as the ‘blow-organ’ or ‘key-flute’, is a free-reed instrument similar to a harmonica. It has a musical keyboard on top, and is played by blowing air through a mouthpiece that fits into a hole in the side of the instrument. These kids would never be able to afford one of these without our support. They will without a doubt be warmly received.

LIFE IN THE COMMUNITY

Nearby Hari Kul’s shop, a number of musicians, family and friends gather at Patan Durbar Square to celebrate one of the most dazzling of all Hindu festivals – Tihar, the festival of lights. During the festival the devoted worship Laxmi, the Goddess of Wealth. All the houses are cleaned and decorated with the belief that Goddess Laxmi will enter the house that is the cleanest. People light candles, oil lamps and other lights and the whole place sparkles like a diamond.

The fifth and last day of Tihar is a day where sisters put a "Tika" on the forehead of brothers, to ensure long life, and thank them for the protection they give. The brothers in return give a gift. A special garland is made for the brothers out of a flower that wilts after a couple of months, symbolizing the sister's prayer for her brother's long life.

Under Construction, Coming Soon!

Check back soon for updates about the exciting classes taking place in this program.

… more
  • Hari Lal Kul

    Hari is a master drum maker taught by his father. He offers free music lessons to local orphans in picturesque Lalitpur, Nepal.

Bizung School of Music and Dance

Tamale, Ghana

Our second school on the continent of Africa was recently built in Tamale, Ghana, hometown of the Playing For Change Band's percussionist, Mohammed Alidu. Alidu is a descendant of a long line of talking drum chiefs known as the "Bizung" that have lived in the area for more than 1,000 years. In his family's honor, the school has aptly been named the Bizung School of Music and Dance.

The school offers music and dance classes that are rooted in the traditional style of Northern Ghana. The school provides the children of Tamale a safe environment to learn in, as well as the opportunity to share their cultural and musical traditions with other children around the world.

Construction of the Bizung School was completed in February of 2010, and after hiring teachers, planning curriculums, and enrolling 150 students, classes began on May 17, 2010. Courses are currently offered in drumming, dance, xylophone, gonje, and vocals. For many students of the Bizung School of Music and Dance, taking classes here is their first time attending a school of any kind, as there are currently no other tuition-free schools in the northern region of Ghana.

Photos of the Opening Day of the Bizung School

Photos of the first month of classes at the Bizung School

Photos from the Bizung School in September 2011


 

OTHER WAYS TO GIVE

$15

Djembe repair

Allows local craftsmen to replace the head of a djembe (hand drum)

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$150

Teacher salary

Provides one month’s teacher salary

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NEWS

May 07, 2012

The Language of the Dagomba

by Sara-Maria Sorentino

Teachers and students at Bizung know a myriad of different native languages such as Twi, Ewe, Gonja, Hausa, Kusasi, Bimoba and Buli, but the majority of the students at Bizung speak Dagbani, the language of the Dagomba people in Ghana’s Northern Region.  It is in this subtly commanding tongue—the idiom of their families, community and ancestors—that the children best express their hopes and dreams, and that their musicality emerges.

LIFE IN THE COMMUNITY

Tamale is a city with more than 300, 000 inhabitants and is the capital of the Northern region of Ghana. The main languages spoken in the area are Dagbani and English, and most of the inhabitants are Muslims.  The people of Tamale live by the sun. They wake at 5:30AM for morning prayers, and go to sleep shortly after sunset.  The Bizung School of Music and Dance is located in an area of town called the Norrip Village. Every afternoon from Monday to Friday, dozens of kids attend classes at the school to study music and dance. Most of the students live in the area but some of them come from other parts of Tamale to attend classes traveling by bicycle, walking or carried by one of the teachers.

Traditional Music and Dance

The Bizung School of Music and Dance offers classes in traditional music, focusing on traditional instruments such as talking drum, djembé, palogo, gonge and xylophone. Classes are also given in dance, chant and keyboard. The kids also learn how...

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The Jera Dance

Jera is a potent dance.  As with most dances in the North, the history of Jera is deep, obscure and mysterious.  Most sources trace the origin to one particular hunter called Nanja who, while in the bush, came across an ill omen: group of dwarfs. ...

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The Adowa Dance

Surely one of the most stately, graceful, dances in West Africa, the Akan “Adowa” takes its name from the impressive animal, the antelope.  With its silent, swift movements, the antelope is evocative of the ideal warrior, and that is how this...

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  • Abdul Rahman

    Abdul leads the school and teaches percussion, dance & chant. He got into music at a young age & studied in Ghana & abroad, then began work as a music instructor & traveled the world to perform music & dance. He is a project manager at the Youth Home in Tamale & chairman of the Dance Association of the Northern Region of Ghana.

  • Adam Abdulai

    The youngest teacher at Bizung, “Dallah” brings energy & enthusiasm to his work. Born into the Bizung drumming family (his grandfather is renowned lunga player Lung' Na Alidu) he plays both the lunga & the gun-gong, & hopes to learn instruments like guitar & keyboard, too. He's happy to be teaching with his uncle Mohammed Alidu.

  • Benedict Ali Kolaan

    Benedict Ali Kolaan is a music teacher and ethnomusicologist specializing in African music. He teaches rudiments and theory of music--one of Bizung’s more formal course offerings--as well as traditional folk songs from around Ghana. B.A. Kolaan received an award for his voluntary service to help send blind children to school.

  • Christiana Kofi

    Christiana Kofi has been working at Bizung since it opened as a secretary. She is a trained singer in church choirs and enjoys gospel music. Since she began at Bizung, Christy has also developed an interest in traditional music and enjoys many Dagbani songs.

  • Ahmed Abdul-Samed

    Abdul-Samed is a gonje musician—first learning this traditional horse-hair violin as a child from his grandfathers. He is a master in his field & regularly performs at traditional ceremonies and festivals around Ghana. Samed has released two albums in Northern Ghana which blend the sonorous gonje with Western Instrumentation.

  • Prince Mahama

    The legendary Prince Mahama got his start as a member of the Adom Professionals, an all-blind band that traveled extensively around Ghana. He has the honor of being the first musician in the Northern Region to sing originally composed songs in the Dagbani language with a Western band. Prince plays guitar, keyboard, bass & drums.